New lessons, updated content, and exciting announcements
As independent filmmakers, we need to use the resources we have available. Often times, those limitations extend to actors. While it would be great if we could afford to hire SAG-AFTRA actors from a top agency for our projects, the reality is that we are forced to work with amateurs.
We’ve all been on productions that seem to never end. 12-hour days turn into 14-hours, which turn into-16 hours. The shoot runs late into the night with no signs of ending, and everyone on the cast and crew is exhausted. Driving your crew into the ground is not only counter productive, it’s also
It’s time to start a new project, and the first question most people ask is “What camera should I use?” While professional cinematographers grimace when novice directors always want the latest and greatest camera, you should let the project decide the camera – not the hype. Sure, the Alexa, Red
The set is a busy, stressful place to work. You’ve spent weeks, if not months preparing for each shooting day, and when it arrives you have to create art out of chaos. There are a thousand things that can go wrong. Crew members call in sick, a breaker pops, location owners get demanding,
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