Documentary Course

ABOUT THIS COURSE

FilmSkills Documentary Course
 
 
  • 3-month course
  • 12-lessons
  • 5 hours, 5 minutes of video
  • Projects and Exercises
 
  • Illustrated Companion Guides
  • Downloadable Class Materials
  • Industry-Leading Instructors
  • Certificate of Completion
 

COURSE OBJECTIVE

Telling the Story Of Real Life
 
It’s a Tuesday and you’re filming a police riot, 25 people are arrested – not one of them is acting. Whereas narrative filmmaking is about creating drama from your imagination, documentaries seek to capture the drama happening around us in real life.  While the source for these stories may be different, both narrative films and documentaries have a structure and an approach that ultimately will move the audience’s hearts and minds.
 
In the FilmSkills Documentary Production Course, you will learn the entire process from some of the industry’s most recognized documentarians.  Learn how to find the story and develop the story structure for your film, learn the right gear to choose and how to prepare for a life in the field.  Gain advanced techniques on finding and interviewing your subjects, choosing the right locations, and knowing the right questions to ask.  Learn to shoot effective B-roll in both controlled and uncontrollable situations, understand the ethics of documentary film production, and finally how to assemble your footage into a well-paced, engaging story in the editing room.
 
The FilmSkills Documentary Production Course is like no other – travel the world and learn the documentary filmmaking process in vivid detail from filmmakers who have dedicated to telling their stories to the world and are now teaching you how to do it yourself.

THE LESSONS

Each lesson will take you through each step of Documentary Course process.

Intro to Documentaries
Learn about documentary storytelling, the types of documentaries, the challenges of the medium, how to manage B-Roll, use recreations to enhance the story, find the balance between story and production value, create compelling interviews, and discover the cinematic tools available to the documentarian.
Finding the Story
Learn how to find the story by refining the subject matter, develop a viable and engaging hypothesis, unlock the secrets of the story arc, find a balance between the art and commerce of documentary filmmaking, know the audience, and narrow down broad concepts.
Documentary Pre-Production

Learn how to effectively prep a documentary shoot, research your subject, properly use release forms and secure permissions to protect yourself legally, know what crew to hire, and how to determine when it’s time to shoot. 

Choosing the Gear

Learn how to prepare for life in the field, how to choose the right camera and camera support gear, how to manage batteries and media on location, how to prepare for audio recording, how to pack for the road, and how to make sure your gear survives airports and the airlines.

The Interview Location
Learn what to look for in potential locations, how to work in the all-too-common hotel room or conference room, how to make sure a space is rights-cleared, and how to create a comfortable environment for your subject. 
Interview Camera Set-Ups
Learn how to shoot interviews alone with one camera, one camera with an operator, a cross-shooting two-camera technique, how to work with different frame sizes, work with monitors, techniques for shooting on the run, and how and when to use auto settings.
Preparing for the Interview
Learn how to find qualified subjects, techniques for preparing to shoot the perfect interview, tips on what to wear, how to select the right chair, how to work through a translator, and how to deal with release forms – especially in a heated or controversial interview. 
The Art of the Interview
Learn how to warm up a nervous subject, how to determine the objective of the interview, the first question you should always ask, how to uncover the truth especially with subjects intent on deceiving or leading you, how to work with difficult subjects, how to conduct interviews in which you are also on camera, and how to conduct man-on-the-street interviews.
Ethics and Objectivity
Learn the difference between a subjective and objective approach to filmmaking, how to recognize bias, how to balance your own ethics and feelings in difficult situations, and ethical guidelines both in the field and in the editing room.
Shooting B-Roll Footage
Learn to harness the power of B-Roll for your film, how to use verité footage, basic coverage techniques in the field, how to shoot sequences, how to tailor B-roll for interviews, and how to shoot B-roll after the edit. 
Field Shooting Techniques
Learn when to shoot in auto or manual modes, how to properly shoot your coverage, how to adjust the amount of footage for the project, how to shoot green screen plates, how to work with ambient sound, and how to manage the legalities of a shoot.
Editing Documentaries
Learn how to manage your footage, organize interviews and B-roll, how to find and narrow the story, how to maintain your objectivity in the thick of the process, know what to cut, and how to finish the film.

THE INSTRUCTORS

FilmSkills features top industry professionals, any of whom are leaders in their field. You will be learning from best.

Jason J. Tomaric

Emmy-winning director/Cinematographer

Anthony Q. Artis

Documentary filmmaker; Author of "Shut Up and Shoot Documentary Guide"

Greg Strom

Multi-award winning commercial/documentary director and producer

Paul Freedman

Peabody and Emmy winning documentary filmmaker

Michael Rabiger

Multi-award-winning filmmaker, author "Directing: Film Techniques and Aesthetics," and "Directing the Documentary"

Steve Golden

Emmy-winning documentarian, "The Race to Perth," "Agent Orange," and "Parenting Paulie."

Dana Kupper

Cinematography, "The New Americans," "The Trials of Muhammad Ali," "On Beauty," and "In the Game"

Mitch Anderson

Director, "The World Without US," "China's Century of Humiliation"

Adam Preskill

Director, "Surfing with the Enemy," "Robert Johnson DNA" and "Taking The Oath"

"Once I felt I had a good grasp on what they had available on FilmSkills, they would add more content making the site even more valuable as a film making resource than it had been only hours before."

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